SRB24043 【女巫 The Witchese】電影 BD50G 不附粵配 附中文字幕 01碟

導演：莫洛·鮑羅尼尼 / 維托裡奧·德西卡 / 皮埃爾·保羅·帕索裡尼 / 佛朗哥·羅西 / 盧基諾·維斯康蒂
編劇：朱塞佩·派特羅尼·格裡菲 / 切薩雷·紮瓦蒂尼 / 阿傑諾雷·因克羅奇 / 富裡奧·斯卡佩利 / 貝納迪諾·紮波尼 / 皮埃爾·保羅·帕索裡尼 / 法比奧·卡爾皮 / Enzo Muzii
主演：西爾瓦娜·曼加諾 / 安妮·吉拉爾多 / 法蘭西斯科·拉瓦爾 / 馬西莫·吉洛蒂 / 維羅尼卡·旺代勒 / 更多...
類型：劇情 / 喜劇 / 愛情
製片國家/地區：義大利 / 法國
語言：義大利語 / 英語
上映日期：1967-02-22(義大利)
片長：111分鐘
又名：The Witches
IMDb：tt0061037
女巫的劇情簡介 · · · · · ·
"The Witch Burnt ALive"
After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
"Community Spirit"
Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
"The Earth Seen from the Moon"
The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their Lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
"The Sicilian"
Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
"A Night Like Any Other"
Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their Lives should be.